Saturday, January 25, 2014
Aper Aku House,
Makurdi.
I
have struggled to attend any of the reading sessions in Makurdi, hosted
either by BENUE ANA or the new kid on the block Purple Silver. Out of
great desire and the fear of having to rue missing the best opportunity
I'd have in a long time to gather among the amazing literary community
in Benue, I left Kaduna on Jan. 25, 2014 and arrived Makurdi just in
time for Purple Silver.
I thought the program started late, but I
guess I had been misinformed about the time. Anselm Ngutsav, a well
informed and interesting fellow, the same fellow who had ushered me in,
ran the show. I can tell Anselm is energetic too.
But before it all
began, I and Anselm spoke about life generally, about the Nigerian
state, how we are still struggling with the basics, and about careers
(whether there was a relevance for most of them in the Nigerian
setting).
Anselm carried about what I reasoned to be a
sophisticated camera (the type a professional photographer would carry).
He loves photography. I do too, only that he is on another level.
It was a day for poems. That forced me to read one of my short stories,
CEMETERY ROAD, out in the just released NaijaStories short story
collection LAGOS HANKY PANKY and Other Stories -www.ns-publishing.com.
My memory holds very little of the poems. The poets either read their
poems from memory or their electronic devices, and without hard copy
references among us, little distractions were all it took. Love and
heartbreak, hopelessness and despair dominated the themes. Maik Ortserga
thought writers should be more optimistic when he commented on one of
the poems Suicide Note. After the rain would come sunshine. Night could
last only as long.
Two hours of engaging presentations and
conversations. It was a lively moment, one that was capped with juice
and red wine courtesy of an adorable lady among the crowd (you ask me
what I had and that is obvious, but don't go there. Don't tell me
Soyinka said something about alcohol enhancing creativity. I take red
wine because I like it). She did not only that but rendered a lovely
poem that X observed was coming from a trademark theme (X is
mischievous, I could tell). She earned The Quest from me. Another fine,
rather small lady, who, in a satisfyingly expressive manner, told a
beautiful poem also went away with The Quest. And I won S's collection
Bring Our Casket Home (for being a ten-second genius).
I had
announced my coming and if I had announced it earlier, I'd have managed
to have the African Original, Ada Agada attend. S did not wait for me to
get on the road this time. He was already in Abuja.
The program
started before X breezed in, in a rather dazzling fashion looking like
he'd been wandering Makurdi that day for fun.
Having been one among
the first to arrive, the first, of course, to my knowledge, being
Anselm, I took a vantage point, where I could see Sewe Leah, Debbie,
Mercy...every other person else, before they saw me. This was not a
mischievous tactic, as maybe Ada might want you guys to believe, but so
much had been said already. I would meet the pretty ladies.
I guess
Sewe Leah has mastered the act of sneaking into lectures when late. It
was a fluid walk, one that was rather slippery. If 'hips lied', I'd have
had to look closely.
Later I told Sewe Leah she looked slimmer. X
said pictures made people look big. I squinted but did not argue. Debbie
has not employ me to shoot her photos.
After Purple Silver was the
round table, somewhere around Gyado Villa, that place university
students have hijacked. It was my idea. I refused to leave without
taking Sewe Leah out. X would come as well. X did not drink beer and
opted for an energy drink. And what he said was Soyinka's direct
opposite. I do not drink beer. I don't like it.
Sewe Leah said I had
a great smile and X tore out of his skin. X had been fighting over Sewe
Leah, in what battle and enemy I am yet to comprehend. I agree that
should be his complement. I have only been learning how to smile
recently after intense reproach and had no idea I was learning fast.
We all said adios some two hours later.
I returned home, where I would lay my head for the night before
proceeding to Gboko, knowing that though the friends were not complete, I
could gladly go, for that long, and would not have to kick myself the
whole time.
Sunday, 26 January 2014
Sunday, 12 January 2014
The Session That Ended 2013!
Marking the last session of the year 2013 was rather an
event than a weekly session. People showed up in high-spirits and non was
disappointed with the entire show and presentations.
When you come for the session you get prepared to ‘think’.
The entire room attempted composing a poem with one line contributions from any
who desired and if your muse is not in touch with you, just place your hand
against your chest to be skipped. Exciting lines reeled out, then the
discussion began with the topic: ‘You don’t teach a person in love with you how
to love you’. Usual of the discussions is a trashing of the topic to a rational
end. However the conclusion was both satisfying and encouraging.
The topic was one out of three suggested and after being most
voted for. The other topics were ‘talent is not enough’ and the third which was
later stated by the person who asked to have no actual conclusion was ‘what is
the purpose of meaning’?
The major guest was a spoken word poet all the way from
Abuja; Bashiru ‘Bash’ Amuneni. Bash opened the evening with a thunderous
presentation that set the evening’s pace. There was surely going to be no dull
moment. Su’eddie Agema author of the poetry collection Bring Our Casket Home:
tales one shouldn’t tell’ did a short story smoothly. The story; engaging and
vividly easy-to-connect piece was a great piece to listen to in a beautiful
narrative he did.
PurpleSilver’s spoken word poet and rapper Orgem ‘Urge’
Abanyi did one his hiphop like presentations that bound all to their seats to
see the end of the show by all means.
Urge has a unique way of delivery; we should have a video of
his presentations online soon.
Bash came up again to give a thrill of spoken word, the
popular ‘Don’t Ask Me Why’ but not before enticing everyone with ‘Isi-ewu’; a spoken-word
product of experience.
Bash had about five presentations and each was both welcome
and ones never to forget.
The final presentation for the evening was PurpleSilver’s
rock artiste and Thirdlead band leader Robert Gar who presented two great
songs.
Unwillingly it was ‘time to let go’; of the evening’s
session like the title of one Robert’s songs that he did wonderfully on the
guitar and we left to convene to a greater session marking the first in the
year 2014 which would hold at the same venue on KM 3 Gboko Road, opposite BSU
Teaching Hospital, Aper aku House at 4:30pm. Don’t miss this next!!
Wednesday, 27 November 2013
Okiriko Art Centre: Insight and the Photo Exhibition
Imagine you are taking a walk, driving or in a
commercial vehicle, as you casually look on suddenly something makes you look
back or stare again at that very place your gaze just shifted from. Now that
moment that makes you want to see more is past but you may look on still after
all it is free. On a related note some people have trained themselves and
mastered the skill of capturing those spectacular moments that you would never
get a second chance at, in places you have never been to; ‘through the eye of a
mechanical lens’.
A good look at a photo will let you understand that the
saying ‘a picture is worth a thousand words’ is both an understatement and a
lack of knowledge about a captured image. Pictures and art can be unending
stories that keep giving soothing suspense to the eye that connects these stories
to the heart.
The Okiriko Art Centre photo exhibition is an event an
update like this won't be enough to express. This exhibition was carried out by
six esteemed photographers: Bamzi Stevens, Onochie Osumuo, Tersoo Gundu,
Ijabila Mada, Bolu Adelabu and Azuka Chukwumerije. PurpleSilver however got an
interview with the Director of Okiriko Art Centre: Azuka Chuwumerije and an
exhibiting photographer Tersoo Gundu: a seasoned photographer who is crazy
about photography, reasonably speaking this kind of craze is good as the results
are a reflection of committed work and dedication to the sacred art of
photography.
The Okiriko Art
Center located on No. 28 Joseph Wayas Street, Zone B, Apo Legislative Quarters,
Abuja was packed with all sorts of people who had come on account of the photo
exhibition. You can now imagine how getting the time of an elegant, well
informed Director of this Art gallery would look like but hear her yourself in
this interview:
PS
- Why did you take on this line of business?
Azuka
- I am an artist, studied Fine and Applied Arts in UNN and went on to study and
practice other forms of art including photography. I love art. I have always
wanted to own a business that would directly address the needs of artists and
not just fine artists but creative people in general.
PS -What is the purpose of this art gallery?
Azuka
- Okiriko Art Center, is a creative art center offering various services like
arts and crafts for children, creative workshops, opportunities for
artists to interact, a drawing club and also the gallery. The purpose of the
gallery is to serve as a showcasing platform for various art/creative products.
Our exhibitions again, aren't just for paintings and sculptures, we exhibit
jewelry, clothing, crafts, children's arts and crafts, photography and of
course the conventional paintings and drawings.
PS - What do you see as the future of art in Nigeria?
Azuka
- Personally, and I don't necessarily speak with authority as I have, up till
recent years, lived outside of Nigeria, but I do see a strong future in terms
of Arts in Nigeria. Art like all else has been influenced a lot by
international trends. You see the evidence of this mostly is in Lagos though, here
in Abuja it's still dragging quite a bit. But I do believe that with time, more
artists will be affected by this movement. This is not to say that our Art
should lose identity but on the contrary should push beyond its present constrain
and find ever new forms of content delivery, which is basically what art has
evolved to over time.
PS - What do you hope to achieve with this photo exhibition?
Azuka
- We hope to sell haha!! and of course our long term goal is to promote
photography as an art form. Like I said earlier, Abuja is still quite behind
where it concerns art. Photography is considered just a way to document a
special occasion like a wedding or anniversary, capture special moments shared
with friends and family or get a family portrait. This is all good, but we need
to step it up a notch. Photography is a valid art form, which requires just as
much creative energy as a painting or sculptural piece. In fact the word photography
is derived from the Greek photos- for "light" and graphos - for
"drawing", meaning drawing with light. Photography, like other
art forms cannot be for everyone, we all know the saying it's not the camera
but the person taking the shot, as we've heard reference been made to the
"eye of the photographer". We encourage people to eagerly add
photography to their art collection.
PS - When would you give people another event?
Azuka
- We are planning an Arts and Crafts Tea Party
for children for the 2nd week of December. We will have loads of
fun creative activities for the children. Any child 6 - 12 is welcome.
PS - Where do you see this art gallery taking art or Nigerian artists?
Azuka
- Our vision for the gallery is to become a well-grounded (nationally and
internationally) center for the production, promotion and exhibition of art.
Thereby bringing together diverse art and artists, this can only lead to the
kind of exchange that exposes and betters us as artists. Naturally our
audience is also constantly being educated on new and diverse art.
PS - How is art related to the daily life of an average Nigerian?
Azuka
- The history of art is the very history of humanity. The appreciation
and need for art is primeval and fundamental, the value it adds is immediately
apparent and we very willingly pay more for something creatively done
as opposed to one thoughtlessly put together. As Nigerians we are
just as human as everyone else. Granted economic down-turn does
inhibit one's ability to buy and with time even appreciate
"artworks", but we should never lose sight of the fact that art is
not just about buying a big expensive painting and hanging on your wall,
it goes much further. Its appreciation should show in how we
create, appreciate and maintain the environment around us, from the smallest to
the biggest things. It's not about money; it's really about your
level of consciousness as you interact with your
environment. Let's keep in mind that your environment can only be a
reflection of you, your will.. as the exquisitely beautiful creation is a
reflection of the Will of the Creator.
PS - Why should people especially Nigerians patronise art galleries?
Azuka
- Why not?
PS –Hahaha… Any other thing people need to know, be it about you, your work or what to do or expect from your art gallery?
Azuka
- We especially want to use this forum to highlight our work with kids. The
difference between a developed society and a 3rd-world is creative thinking. As
the future generation, one of the ways we should invest in our children, in
addition to school, sports and right diet is by putting them in creatively
challenging art and music programmes - food for the creative left
brain. No, this is not to make them grow up and become artists, but to provide
the necessary counter-balance to dry erudition by stimulating creative thinking
- the need to constantly improve quality of life, develop life-long
intuitive problem solving skills and an enthusiastic appreciation of
beauty!
Azuka
- Thank you.
PS – Thank you so much for your time and insight, hopeful;
we should be around to capture your December programme with the kids.
In the art displayed space demonstrating to collectors,
friends and visitors is a gentleman in a light coat. Obviously he knows his job
and is very comfortable relating to people about it like a fish mingles in its
waters. It will be a sin not to peek into Tersoo Gundu’s world to understand
phography and his interest in exhibiting:
PS - What is the photo exhibition all about?
Tersoo G - It's an exhibition titled "through the eye of a mechanical lens", basically it is an appreciation of the medium of storytelling called "photography”, a collection of works by 6 photographers from around Nigeria
Tersoo G - It's an exhibition titled "through the eye of a mechanical lens", basically it is an appreciation of the medium of storytelling called "photography”, a collection of works by 6 photographers from around Nigeria
PS - Has your
work a particular artistic rhythm or it is a random collection of creativity?
Tersoo G - My collection is a body of work showing men on construction site working. Showing how houses are been built in Abuja, with bare hands and basic equipment like shovels, wheelbarrows.
Tersoo G - My collection is a body of work showing men on construction site working. Showing how houses are been built in Abuja, with bare hands and basic equipment like shovels, wheelbarrows.
PS - Being an exhibiting artist, what would you say
this exhibition promises the interested public?
Tersoo G - I would say an understanding of the world around us through the medium of photography.
Tersoo G - I would say an understanding of the world around us through the medium of photography.
PS - Where do you see photography years from now?
Tersoo G - I think there a growing curiosity towards the power of photography and how it can change the world around, photography has always been thought provoking, helping us look inward and think about of world in different ways.
Tersoo G - I think there a growing curiosity towards the power of photography and how it can change the world around, photography has always been thought provoking, helping us look inward and think about of world in different ways.
PS - Do you think Nigerian photographers are living up
to expectation compared to their global counterparts?
Tersoo G - We have wonderful photographers in Nigeria some have been praised by the world but on a general level we majorly have commercial photographers, but yes a good number of photographers are changing the way they approach photography and understanding that it is a tool that can be used for more good than Aesthetics.
Tersoo G - We have wonderful photographers in Nigeria some have been praised by the world but on a general level we majorly have commercial photographers, but yes a good number of photographers are changing the way they approach photography and understanding that it is a tool that can be used for more good than Aesthetics.
PS - Is this exhibition about the only way photography
can gain public admiration or patronage or there are others?
Tersoo G - No. Buts it's good start point. The beautiful thing about an exhibition and it's opening, is that the artist interacts with its audience and there is instant feedback, somewhat of an exchange program.
Tersoo G - No. Buts it's good start point. The beautiful thing about an exhibition and it's opening, is that the artist interacts with its audience and there is instant feedback, somewhat of an exchange program.
PS - Is the appreciation of photography by the Nigerian
market worth the time and effort?
Tersoo G - Everywhere in the world photography is challenging but what drives us is passion and a course. With that it's worth everything.

Tersoo G - Everywhere in the world photography is challenging but what drives us is passion and a course. With that it's worth everything.
PS - What do you think would improve the lot of
photographers and photography in Nigeria?
Tersoo G - I think more interactions with photographers, workshops, seminars and exhibitions. That's how we can grow.
Tersoo G - I think more interactions with photographers, workshops, seminars and exhibitions. That's how we can grow.
PS - Any other thing you wish to share on the creative
purpose of photography and use of an exhibition?
Tersoo G - A quote from Susan Sontag’s book "On photography” explains it: She says (talking about photography) "... The more you know about something the more complex it becomes"
It doesn't matter if you’re looking through a microscope or a telescope it all leads to infinity. And to me those are the possibilities in photography. Infinity!
PS – Thank you so much Tersoo Gundu for your time, we hope to talk to you soon.
Tersoo G - A quote from Susan Sontag’s book "On photography” explains it: She says (talking about photography) "... The more you know about something the more complex it becomes"
It doesn't matter if you’re looking through a microscope or a telescope it all leads to infinity. And to me those are the possibilities in photography. Infinity!
PS – Thank you so much Tersoo Gundu for your time, we hope to talk to you soon.
Tersoo G – You are welcome anytime.
Saturday, 21 September 2013
PurpleSilver Art Fold weekly Session Labe, Urge, Sewe etc
The year 2010 was indeed one to remember so far for poet Andrew Aondosoo Labe who shared one of his many internationally acclaimed nice pieces at the PurpleSilver Art Fold on Saturday 21st day September 2013.
PurpleSilver Art Fold convenes poets, writers, musicians, film-makers and any one who wants to relax to refreshing intellectually breathtaking entertainment every Saturday of the week from 6pm t0 8pm and admission is free and punctuality keenly observed.
For now you should enjoy a piece of Andrew's poems:
PurpleSilver Art Fold convenes poets, writers, musicians, film-makers and any one who wants to relax to refreshing intellectually breathtaking entertainment every Saturday of the week from 6pm t0 8pm and admission is free and punctuality keenly observed.
For now you should enjoy a piece of Andrew's poems:
SHE
SINGS THE BLUES
She sings the blues
We mosh carmagnole in the sun
Dancing to the arson blues,
With sciatica to seduce caryatids
And impress mannequins;
Whispering in the face of tyranny
Searching for a place called home
Shards of glass, a bed of roses.
She sings the blues
We wrap hope in bandages
Stuff greed in wallets
Drown peace in blood
Bury love in graves
Cover hatred like blankets
Wear war like pants
And march to Eagle Square
To sing the national anthem.
*
You can enjoy more creativity this coming Saturday same venue and time.
Saturday, 13 July 2013
PURPLESILVER CREATIVE GALLERY; THE NEW DISCOVERY @ SYMBOLS CUISINE ON SATURDAYS by Smith Orahii
PURPLESILVER CREATIVE GALLERY; THE NEW DISCOVERY @ SYMBOLS CUISINE ON SATURDAYS.
One of my happiest discovery in my many years of creative fun seeking
is the PurpleSilver literary show staged every Saturday around falling
shadows at the beautiful enclave of Symbols.
To be modest, I
wouldn't mind to have a first date with a girl at the side-by-side seat
arrangement of the show. Sadly though, first date outings are transient,
even though they are memorable. We would spectate, appreciate,
participate and celebrate the wonderful moment of entertainment got on a
platter of gold.
Yes! Platter
of gold because I pay to get far less the entertainment in cities like
Lagos and Abuja for events that have little educational undertone.
I saw the three genres of literature; drama, poetry and prose which I
only had the privilege of being taught back in college, sitting
next to the front seat at PurpleSilver gallery.
Please,
forgive my forgetfulness, I also saw in the house some good music, dance,
motivationals and comedy. Hahaa! Thanks to the dreamer comedian that
confesses having a dry voice courtesy of the enjoyment of fruit juice such
as 'Zobo' Juice, 'Kunu' Juice et al.
I pride this would serve
skeptics who thought Benue was simply a food house right. Of course,
how else would they reconcile such youth creativity amidst food surplus?
I had the privilege of meeting the literary majesty Miss S... L... Never mind, that's just a feature plash for another moment.
Thumbs up to the organizers of the shows. Humble beginings breed grandest records - says the wise.
Sunday, 12 May 2013
Why The Youth Should Not Be Given Power
Why The Youth Should Not Be Given Power
The enthusiastic challenge of leading a group of people
which comes with different situations or type of leadership is a necessary walk
in any given situation in order to guarantee an appreciation of the position
ascended.
Today, Nigerian youth complain of not been ‘given’
leadership positions in the country by the ruling class of very old people.
Note however that most or all of these people were around during the fight for
independence.
I say however that the youth should NOT be GIVEN power! Over
the years in history, power has never been given, it is always taken. The
struggle to ascend leadership is necessary training and a test of readiness for
a position of leadership. Sometimes, its through violence, protest or at a time
and place like Nigeria where democracy is currently practiced; it may be by
campaign, insistence on the rule of law and so on.
The Nigerian youth does not know his or her right, privilege
and place in the country. I hereby say that the future of Nigeria is much more
in danger in the hands of such an illiterate.
I say to you frankly and confidently that the Nigerian Youth
would not ask for power when they are ready to lead, They Will Take It! Power
is Always Taken! Always Taken! And Never Given! Power Is Always Taken!!
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